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Front Matter Pages i-xiii. Pages Chiastic Cognition: The Gunpowder Revolution in Literature: Early Modern Wounds in Folengo and Rabelais.

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The Finger in the Eye: Exchanging Hands in Titus Andronicus. Images of Thwarted Motion in Macbeth. How Do Audiences Act?

Back Matter Pages Through analyses of authors including Petrarch, Rabelais, and Shakespeare, the book explores how embodied cognition, historical context, and literary style interact to generate and shape responses to texts.

It suggests that what was reborn in the Renaissance was partly a dtuck sense of the capacities and complexities of bodily movement. Englishman stuck in fucking Evreux

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The linguistic ingenuity of humanism set bodies in motion in complex and paradoxical ways. Writers engaged Eveeux with the embodied grounding of language, prompting readers to deploy sensorimotor attunement.

Actors Englisbman their bodies according to kinesic intelligence molded by theatrical experience and skill, provoking audiences to respond to their most subtle movements.

An approach grounded in kinesic intelligence enables us to re-examine metaphor, rhetoric, ethics, gender, and violence.

The book will appeal to scholars and stick of English, French, and Italian Renaissance literature and to researchers in the cognitive humanities, cognitive sciences, and theatre studies.

Editors and affiliations.

Durham University Durham United Kingdom 2. Cambridge University Cambridge United Kingdom.

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Bibliographic information DOI https: Buy options.